• iSENDu

    • iSENDu Videos
  • S-Cube

    • S-Cube Project
  • Event Seeker

    • volume.at
  • q·.:World

    • q·.:LAUNCHER
    • q·.:CARD
    • q·.:Generator
    • q·.:Specs
  • Home

    • Imprint
    • GTC
    • Sitemap
  • services
  • blog
  • help
  • about

ikangai.com

  • Search Blog

  • Pages

    • A Cross-Platform Software System to Create and Deploy Mobile Mashups
    • Apps using q·.:Codes
    • Concours Worldvision de la q·.:Launcher
    • expressFLOW
    • Prototype
  • Latest Entries

    • Writing Scientific Papers
    • Code Snippet of the Week: Using Quartz to draw the background of UIButtons
    • Concours Worldvision de la q·.:Launcher
    • Concours Eurovision de la Chanson
    • We’ve got mail from Apple
  • Categories

    • Code snippet (1)
    • Design (11)
    • Development (32)
    • Events (7)
    • Hardware (2)
    • iSENDu (39)
    • iTunes App Store (20)
    • News (13)
    • Science (7)
    • Software (18)
    • Sports (1)
    • Uncategorized (48)
    • University (2)
    • Website (4)
  • Archives

    • August 2010 (2)
    • July 2010 (7)
    • June 2010 (7)
    • May 2010 (6)
    • April 2010 (13)
    • March 2010 (11)
    • February 2010 (8)
    • January 2010 (8)
    • December 2009 (9)
    • November 2009 (6)
    • October 2009 (8)
    • September 2009 (13)
    • August 2009 (14)
  • Subscribe

    • Subscribe rss feed

On Copyright, Axolotl Roadkill, Xandadu and Source Code

February 22nd, 2010 by Martin under News

In recent years, we have witnessed what can be called a “copy and paste attitude”. What is partially to blame is obviously human laziness – or the minimax principle, if you will: to get the most with minimal effort. A prominent and currently much discussed example is the book of a german teenager who copied considerable parts of the book from an internet blogger – without citing the source. When confronted with this allegation, she stated that basically that there is no originality, but authenticity.
However, she later apologized for the copying but maintained her initial claim of originality.

Maybe this is just a precursor of more things to come. With the arrival of the internet of user generated content, we can expect to experience more cases like this in the future. As noted by Lawrence Lessig in his book, we need a culture that respects sources; if a person tries to make money from works of other people by remixing them, it should be a matter of course that the original sources also get their fair share. The same goes for software: copying and pasting source code from various Web pages without crediting the source of the work is common. The problem is to find a mechanism to share the revenue on a large scale. The Xanadu project from the late sixties tried to build something like this: a system consisting of hyperlinked documents where each linked part was available only once. There would have been no copies and it would have been possible to track every portion of a hyperlinked document to its originator. In combination with a kind of information franchise, this would have given the content creators a stream of revenue. However, the project ran into a lot of troubles and the developers never created a functional prototype.
On a related note, albeit on a different level, the Liquid Pub Project shares a similar goal: to build highly reusable and composable content for university lectures and publications.
We, from ikangai, also gave this some thought. In a nutshell, we suggest to build information communities where every member shares his or her content. If the content is used in a commercial manner, the revenue is split between the community members and the person making profit. We envision something like 20 per cent for the community and the rest for the person making the profit. However, there are considerable obstacles to overcome. For example, what to do with freeloaders that are just members without sharing anything at all? A potential approach to solve this issue could be the use of a mechanism that only splits among actively contributing community members. Well, these are merely initial thoughts and we will continue to think and blog about this very interesting topic.

One final note on the Axolotl case: it’s a somewhat bitter irony that the girl’s work is now protected by copyright law, so anyone who uses the content of the book in the same manner as the author will be sued by the publisher.

Your ikangai team

Bookmark and Share

Tags: Axolotl Roadkill, Lawrence Lessig, Remix, Strg+C Strg+V


Leave a Comment

Click here to cancel reply.





Copyright © 2010 IKANGAI Solutions. Design by creativesyntax.at
IKANGAI Blog is powered by Wordpress | Login
Facebook It! Digg It! Stumble It! del.icio.us